by Richie Billing


EDITOR’S NOTE: Most of what we write here at OMAM includes magical elements of some sort. We love magic. But that doesn’t mean it’s a requirement for fantasy. If you don’t follow Richie Billing, you should start now. He is very well-read on medieval history and technology, and his fantasy tends to focus on these elements more than magic.


Writing fantasy without magic can sound like an outlandish thing to do. But it’s becoming more and more common.

Having written many fantasy stories with an absence of magic, I’ve learned a thing or two about the benefits and the downsides, both from the writer’s perspective and the reader’s.

In this guide, we’ll take a look at different types of fantasy magic, whether or not you can have fantasy without magic, how to write fantasy without magic, and we’ll take a look at some examples of fantasy books without magic.

The Different Approaches to Writing Fantasy

Fantasy is awash with subgenres. Over time, cunning writers have merged together different types to form new ones, like combining historical fantasy and dark fantasy to forge historical dark fantasy—yes, that’s a thing. Another example would be high fantasy and medieval fantasy, giving us (you guessed it) medieval high fantasy.

Rising up among the genres are those in which magic isn’t a focus. Maybe it doesn’t feature at all. Perhaps the most well-known of those sub-genres is low fantasy.

Now low fantasy seems to cover a pretty wide range of story types, and no doubt it will splinter into further subgenres in time. But for our purposes, low fantasy encapsulates:

  • Stories that may be set in a secondary fantasy world but one lacking magic.
  • Or if magic does exist in these fantasy worlds (which can often be the case), it does not play a significant role in the story.
  • Low fantasy is also used to describe stories which aren’t set in secondary worlds, or when fantasy creatures or races are normalized into a human world.

Why is low fantasy popular? Well, as we’ll see below, it allows writers to align their stories more closely to the real world, giving them opportunities to explore real-world and relevant issues, while having the freedom to explore and experiment.

As fantasy writers experiment more and more, niches will emerge, allowing writers to better define their stories. This, in turn, allows readers to hone in on their likes. Because let’s face it, the fantasy genre is broad as a dragon’s arse, and sometimes when looking for books, we can get a little lost!

Can You Have Fantasy Without Magic?

So as we’ve seen above, low fantasy is arguably becoming a more popular subgenre. Yet, for the traditional fantasy fan, the prospect of reading a story without the presence of magic may seem off-putting.

This is an issue that I was all too aware of when writing Pariah’s Lament. I’m not a massive fan of writing with magic, but I love the possibilities associated with it. So this is what I focused on. I showed the reader that magic did exist in the world, but I kept it in the background.

Instead, I focused on the characters. On their trials and tribulations, their internal struggles, their path of growth and development.

Other writers have experimented with this, too. We’ll look at some specific examples of good fantasy novels without magic below, but in short, it can allow you to follow types of characters who don’t need or rely on magic to get by. Morally-grey assassins are all the rage at the moment. Likewise are the thieves and charlatans. Generally, such characters don’t possess magical abilities.

The point I’m trying to make is that you can, of course, have fantasy without magic—if that’s the type of story you want to tell. If you have a character-driven plot, you may not wish to get drawn into the intricacies of magic systems if you feel it’ll detract from the issues you wish to focus on.  

Similarly, you may be writing a story constructed around a theme or premise, and magic may not play a role in that. Or it may even contradict the point you’re trying to make! The golden rule of fantasy writing is to limit yourself to only describing things that are relevant to your particular story. Otherwise, the world-building becomes unwieldy.

So just because we’re writing fantasy doesn’t mean magic always has to be present. Let’s look at some other considerations when it comes to writing fantasy without magic.

What About Dragons, Elves, and Dwarves?

You may wonder then about the inclusion of magical creatures and races, like dragons, elves and dwarves?

It’s a totally fair question. The presence of dragons, for instance, which are traditionally magical beings, may jar with what may otherwise be a pretty low fantasy story. On the other hand, as we’ll see below when discussing fantasy books without magic, it may not.

My attitude is that you can still have different races and creatures without the presence of magic. One of the benefits of writing fantasy is that we don’t necessarily have to explain ourselves to the same level as, for example, science fiction. We’re allowed a little more creative freedom.

And this can be quite a beneficial approach to take when it comes to the writing of the story. If this is the type of world you want, and these creatures and people exist in a normalized state, there’s no need to lose pages to describing their origins. Doing so would likely lead to info dumps.

Let’s look at some examples of fantasy books without magic.

Fantasy Books Without Magic

One of my biggest influences when it comes to writing fantasy is George R. R. Martin and the A Song of Ice and Fire series (ASOIAF). To a certain extent, I think they’re great examples of fantasy books without magic (probably the last two books to come excluded, when things get pretty magical).

The ASOIAF series is very much character-driven. And while there are definite magical elements (dragons and white walkers), magic is by no means the focus. The challenges and obstacles the characters are faced with are very much physical, things that we can relate to in our own lives.

There are times when magic features, but particularly in the earlier books it’s more of a flirtation, and you’re never quite sure if it’s legitimate or not. Melisandre is a pretty good example. Steeped in an air of magic, you’re often left wondering what abilities she possesses, but her efforts can fall flat.

Another controversial example I’m going to draw upon is Raymond Feist’s Riftwar Cycle. Now I know the first book is called Magician, and magic does feature heavily throughout the series, but Feist created some wonderful characters and stories lacking in magic altogether. Perhaps the most popular is Jimmy The Hand and his ancestors. Prince Arutha is another and so too Rupert Avery (aka Roo).

In both examples, we’re very much in fantasy worlds, yet following stories and characters lacking in magic.

More Examples of Fantasy Books Without Magic

Here are some good fantasy novels without magic, as well as tips on where to find more.

You can check out the Goodreads category dedicated to fantasy without magic here, Or have a browse of this cracking discussion on Reddit’s r/writing on writing fantasy without magic.

More Guides on Writing Fantasy Without Magic

Thanks for reading this guide on writing fantasy without magic. Before I leave you, I thought I’d share some other guides of mine that may help when it comes to finding non-magical angles with your writing.


If you liked what you read above, why not grab a copy of Richie’s OMAM CORE novel, Pariah’s Lament?


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4 thoughts on “On Writing: Fantasy Without Magic

  1. Love the article. I’ve always been partial to magical realism–which I define as when you’re never quite sure if the magic is real or not. It happens in our world and magic could be responsible, but maybe not. There’s something about that ambiguity that has always appealed to me. But overt magic can be good, too, although I tend to cordially dislike Sandersonian rule-based magic stories. : )

    Liked by 1 person

    1. Our CORE world does have strict rules for the mechanics of magic, a requirement when you have so many authors working together. And I end up being the one that has to sort it all out. 😀 But more of the stories don’t get too deep into explaining it. With the exception of CALL OF THE GUARDIAN, of which the main character is a magic user, the other books deal with magic more tangentially. The details are worked out between us behind the scenes, just to ensure everyone is on the same page. I agree that the details of “magic systems” within a narrative can quickly become excessive. This, combined with a natural habit of authors being very proud of their creations, can turn readers off (though some do enjoy the nerdy details). One of the best books I’ve read recently is Michael Crichton’s EATERS OF THE DEAD, which is fantasy, in that it’s a made up story, but borrows heavily from it’s historical references and also implies a possible scientific reason.

      Liked by 1 person

      1. I’m quite fond of Crichton. I loved Timeline, which had all the trappings of the middle ages and time travel to boot. And Jurassic Park, of course. I always thought Crichton was at his best when he used science to build a fantasy-like story. His world building skills are incredible.

        Liked by 1 person

      2. The fun angle of EATERS is that he framed it as a sort of “found text” story, replicating the style of a real historical writer Ibn Fadlan. It’s somewhat similar to my current work in progress.

        Like

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